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Title: Birks of Abergeldie
Description: Longways Country Dance, triple minor

M1

L1

M2

L2

M3

L3

M4

L4

M5

L5

M6

L6

M7

L7

M8

L8

6,12,0,1828,2 12,150,190,150,270,150,350,310,190,310,270,310,350 0,150,190,150,270,150,350,310,190,310,270,310,350 19,181,159,182,242,182,321,215,138,214,240,215,323 20,117,140,182,163,183,245,96,113,214,139,215,241 19,100,231,115,138,182,166,67,231,99,117,215,141 20,101,319,100,234,118,139,69,319,67,231,98,117 19,105,397,101,322,100,235,83,429,67,323,67,232 20,183,399,105,399,103,326,200,431,85,431,68,324 19,183,319,186,400,106,400,214,319,199,433,85,434 20,182,240,182,322,188,404,215,240,214,323,200,436 19,150,190,150,271,150,350,310,194,310,276,310,353 15,86,191,231,273,150,350,229,190,374,277,310,353 14,48,231,270,239,150,350,191,226,414,239,310,353 15,89,272,232,191,150,350,231,272,375,196,310,353 14,153,272,148,189,150,350,315,271,311,194,310,353 15,233,271,83,190,150,350,381,270,228,189,310,353 14,273,234,44,230,150,350,421,229,189,226,310,353 15,232,186,85,272,150,350,379,187,229,272,310,353 14,145,187,150,272,150,350,313,187,315,272,310,353 15,79,187,233,271,150,350,227,188,381,271,310,353 14,39,227,273,235,150,350,187,225,421,231,310,353 15,80,270,233,187,150,350,227,273,379,188,310,353 14,146,272,146,187,150,350,314,273,313,187,310,353 0,147,272,147,188,150,350,313,272,312,188,310,353 0,148,271,148,189,150,350,312,271,311,189,310,353 1,149,270,149,189,150,350,311,271,311,189,310,353 0,150,270,150,190,150,350,310,270,310,190,310,353 5,174,282,150,190,150,350,286,258,310,190,310,353 6,210,300,150,190,150,350,250,240,310,190,310,353 5,246,318,150,190,150,350,214,222,310,190,310,353 6,270,330,150,190,150,350,190,210,310,190,310,353 22,265,338,146,198,150,350,194,202,310,190,315,345 22,270,330,150,190,150,350,190,210,310,190,310,353 11,223,311,150,190,150,350,237,229,310,190,310,353 11,203,270,150,190,150,350,257,270,310,190,310,353 11,222,225,150,190,150,350,238,315,310,190,310,353 11,270,210,150,190,150,350,190,330,310,190,310,353 22,274,218,150,190,154,358,186,322,306,182,310,353 22,270,210,150,190,150,350,190,330,310,190,310,353 5,251,234,150,190,150,350,209,306,310,190,310,353 6,219,258,150,190,150,350,241,282,310,190,310,353 5,180,270,150,190,150,350,280,270,310,190,310,353 6,150,270,150,190,150,350,310,270,310,190,310,353 9,196,258,150,190,150,350,264,258,310,190,310,353 9,253,267,150,190,150,350,207,267,310,190,310,353 9,321,296,150,190,150,350,139,296,310,190,310,353 9,346,327,150,190,150,350,114,327,310,190,310,353 9,347,350,150,190,150,350,113,350,310,190,310,353 9,341,366,150,190,150,350,119,366,310,190,310,353 8,315,371,150,190,150,350,145,371,310,190,310,353 9,265,341,150,190,150,350,195,341,310,190,310,353 8,237,309,150,190,150,350,223,309,310,190,310,353 9,230,270,150,190,150,350,230,270,310,190,310,353 9,225,248,150,190,150,350,235,248,310,190,310,353 9,207,222,150,190,150,350,253,222,310,190,310,353 9,177,192,150,190,150,350,283,192,310,190,310,353 9,150,186,150,190,150,350,310,186,310,190,310,353 9,130,192,150,190,150,350,330,192,310,190,310,353 9,115,201,150,190,150,350,345,201,310,190,310,353 8,107,220,150,190,150,350,353,220,310,190,310,353 9,122,249,150,190,150,350,338,249,310,190,310,353 8,135,266,150,190,150,350,325,266,310,190,310,353 9,150,270,150,190,150,350,310,270,310,190,310,353 0,150,270,150,190,150,350,310,270,310,190,310,353

2:0:DOUBLE FIGURE^3:8:All three couples promenade around the set^12:8:The first couple one and a half Pousettes with the second couple^28:8:The first couple travel to their right hand corner and set, then travel to left hand corner and set, then return to places^44:8:Whole Figure Contrary Corners: the first couple cross and cast below the bottom couple, then cross up between the top couple and cast back to the middle^64:0:Repeat whole dance from progressed position^

 

Birks_of_Abergeldi.mp3

barscount

This is a crib line 


Further Information:

Source: A Companion to the Ball Room
Authority: Wilson, Thomas
Year: 1816
Tune: Birks of Abergeldi
Notes: For further information, see here.
 
 
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This dance is reconstructed from an authentic source as noted above, but you might encounter it being taught in a different fashion. Popular dances were often published more than once, sometimes with different figures, or even with different tunes; our version is faithfully reconstructed and historically informed, but alternative arrangements can be equally satisfying

 

 

 

 

 

 

 

 

 

 

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