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Title:	Les Fleurs du Printems
Description:	A Cotillion by Giovanni Gallini

8,12,0,1128,2 12,248,135,182,335,115,202,315,268,182,135,248,335,115,268,315,202 108,248,135,182,335,115,202,315,268,182,135,248,335,115,268,315,202 14,149,148,281,322,128,301,302,169,110,204,320,266,184,340,246,130 13,114,201,316,269,181,336,249,134,114,267,316,203,247,336,183,134 14,111,283,319,187,263,339,167,131,160,336,270,134,316,290,114,180 13,182,335,248,135,315,268,115,202,248,335,182,135,315,202,115,268 14,269,329,161,141,309,181,121,289,315,278,115,192,258,135,172,335 13,315,271,115,199,251,135,179,335,317,204,113,266,184,133,246,337 14,317,190,113,280,170,133,260,337,270,138,160,332,118,180,312,290 13,248,135,182,335,115,202,315,268,182,135,248,335,115,268,315,202 14,320,204,110,266,184,130,246,340,281,148,149,322,128,169,302,301 13,316,267,114,203,247,134,183,336,316,201,114,269,181,134,249,336 14,270,336,160,134,316,180,114,290,319,283,111,187,263,131,167,339 13,182,335,248,135,315,268,115,202,248,335,182,135,315,202,115,268 14,115,278,315,192,258,335,172,135,161,329,269,141,309,289,121,181 13,113,204,317,266,184,337,246,133,115,271,315,199,251,335,179,135 14,160,138,270,332,118,290,312,180,113,190,317,280,170,337,260,133 13,248,135,182,335,115,202,315,268,182,135,248,335,115,268,315,202 7,246,167,184,303,115,202,315,268,180,167,250,303,115,268,315,202 7,248,208,182,262,115,202,315,268,182,208,248,262,115,268,315,202 7,269,216,161,254,115,202,315,268,203,216,227,254,115,268,315,202 7,278,235,152,235,115,202,315,268,212,235,218,235,115,268,315,202 7,270,255,160,215,115,202,315,268,204,255,226,215,115,268,315,202 6,248,262,182,208,115,202,315,268,182,262,248,208,115,268,315,202 3,248,277,182,193,115,202,315,268,182,277,248,193,115,268,315,202 4,248,299,182,171,115,202,315,268,182,299,248,171,115,268,315,202 3,248,321,182,149,115,202,315,268,182,321,248,149,115,268,315,202 4,248,335,182,135,115,202,315,268,182,335,248,135,115,268,315,202 7,248,335,182,135,147,204,283,266,182,335,248,135,147,270,283,200 7,248,335,182,135,188,202,242,268,182,335,248,135,188,268,242,202 7,248,335,182,135,196,181,234,289,182,335,248,135,196,247,234,223 7,248,335,182,135,215,172,215,298,182,335,248,135,215,238,215,232 7,248,335,182,135,235,180,195,290,182,335,248,135,235,246,195,224 6,248,335,182,135,242,202,188,268,182,335,248,135,242,268,188,202 3,248,335,182,135,257,202,173,268,182,335,248,135,257,268,173,202 4,248,335,182,135,279,202,151,268,182,335,248,135,279,268,151,202 3,248,335,182,135,301,202,129,268,182,335,248,135,301,268,129,202 4,248,335,182,135,315,202,115,268,182,335,248,135,315,268,115,202 16,235,296,195,174,276,215,154,255,195,296,235,174,276,255,154,215 16,185,294,245,176,274,265,156,205,156,264,274,206,244,294,186,176 16,154,253,276,217,233,296,197,174,155,213,275,257,193,295,237,175 17,157,204,273,266,184,293,246,177,187,176,243,294,156,263,274,207 16,195,175,235,295,155,255,275,215,235,175,195,295,155,215,275,255 7,210,156,220,314,136,240,294,230,220,174,210,296,154,230,276,240 7,222,143,208,327,123,228,307,242,208,167,222,303,147,242,283,228 7,236,136,194,334,116,214,314,256,194,154,236,316,134,256,296,214 6,248,135,182,335,115,202,315,268,182,135,248,335,115,268,315,202 0,248,135,182,335,115,202,315,268,182,135,248,335,115,268,315,202 0,248,135,182,335,115,202,315,268,182,135,248,335,115,268,315,202

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2:0:Introduction and Honours (8 bars)^3:8:FIRST CHANGE: Dance whole circle right -^11:8:- and back again^19:4:Head couples half turn with vis-a-vis and change places - end improper^29:4:Sides do the same^39:8:All eight hands across half round then right hand turn their partners home^48:0:Continue with 2nd change, main figure, third change and so on^49:0:Changes may be 8 or 16 bars long; if you are using our recording the changes are 16 bars long^

Les Fleur du Printems - Snippet.mp3

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Further Information:

Source:	Gallini's Collection of Cotillons
Authority:	Gallini, Giovanni
Year:	1770
Notes:	For eight hands across, man takes partners hands and hold it at centre rather than holding across

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This dance is reconstructed from an authentic source as noted above, but you might encounter it being taught in a different fashion. Popular dances were often published more than once, sometimes with different figures, or even with different tunes; our version is faithfully reconstructed and historically informed, but alternative arrangements can be equally satisfying

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